Beyond Bruce Lee: Chasing the Dragon through Film, Philosophy, and Popular CultureIn order to understand Bruce Lee, we must look beyond Bruce Lee to the artist's intricate cultural and historical contexts. This work begins by contextualising Lee, examining his films and martial arts work, and his changing cultural status within different times and places. The text examines Bruce Lee's films and philosophy in relation to the popular culture and cultural politics of the 1960s and 1970s, and it addresses the resurgence of his popularity in Hong Kong and China in the twenty-first century. The study also explores Lee's ongoing legacy and influence in the West, considering his function as a shifting symbol of ethnic politics and the ways in which he continues to inform Hollywood film-fight choreography. Beyond Bruce Lee ultimately argues Lee is best understood in terms of "cultural translation" and that his interventions and importance are ongoing. |
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aesthetic American approach argues Asian authentic Badiou Barthes Batman Begins become Brandon Bruce Lee Bruce Lee films calls Chan’s chapter character Chen Zhen China Chinese choreography Chow’s cinematic complex context course critique cultural studies cultural translation Dan Inosanto Danny deconstruction discourse Donnie Yen encounter Enter the Dragon event fantasy fidelity fight Fist of Fury global globalisation hegemonic Hollywood Hong Kong films ibid identity ideology Inosanto institutions Jacques Rancière Jake Japanese Jeet Kune Karate Kid kung fu films Lee’s Marchetti martial artist martial arts films masculinity means Miyagi Morris movement narrative ninjas Nitta one’s organised Oriental original pedagogy political popular culture postcolonial postmodern produced protestant ethnic queer question Rancière Rancière’s regarded relation Rey Chow scene semiotic sense significance simply Slavoj Žižek social status style subtitles t’ai-chi ch’üan things tion tradition transformation truth Western Wing Chun words Žižek