Shanghai's dancing world : cabaret culture and urban politics, 1919-1954
""It was thanks to its cabarets that Old Shanghai was called the Pàris of the Orient.' No one has studied the rise and fall of those cabarets more extensively than Andrew Field. His book is packed with fascinating information and attests on every page to his understanding of Shanghai's history." LYNN PAN, author of Sons of the Yellow Emperor" ""Books about Old Shanghai routinely refer in passing to the city's legendary cabarets and dance halls. Now, for the first time, historian Andrew Field provides us with a scholarly, accessible and detailed look at these establishments, showing us not just what they meant to globe-trotters and members of the local Chinese and Western elites but also to the people who worked in them. Making use of a dizzying array of familiar and little-known sources, ranging from archival documents to feature films and fiction, his book provides the most comprehensive picture to date of the entertainment venues that played an important role in the development of the most famous--and infamous--of China's treaty ports." JEFFREY N. WASSERSTROM, author of Global Shanghai, 1850-2010 and co-founder of the "China Beat" blog" ""In this richly detailed exploration of Shanghai's night life, Andrew Field strips off glamorous cliches to weave together a complex and compelling tale of cabaret culture as a contested space of modernity caught in a constellation of unrelenting and contradictory social, economic and political forces." CHRISTIAN HENRIOT, Senior Fellow, Institut d'Asie Orientale, Institut Universitaire de France" "Drawing upon a unique and untapped reservoir of newspapers, magazines, novels, government documents, photographs and illustrations, this book traces the origin, pinnacle, and ultimate demise of a commercial dance industry in Shanghai between the end of the First World War and the early years of the People's Republic of China. Delving deep into the world of cabarets, nightclubs, and elite ballrooms that arose in the city in the 1920s and peaked in the 1930s, the book assesses how and why Chinese society incorporated and transformed this westernized world of leisure and entertainment to suit its own tastes and interests. Focusing on the jazz-age nightlife of the city in its "golden age," the book examines issues of colonialism and modernity, urban space, sociability and sexuality, and modern Chinese national identity formation in a tumultuous era of war and revolution."--Jacket
Thesis, Dissertation, English, ©2010
Chinese University Press, Hong Kong, ©2010
dissertations
xv, 364 pages : illustrations, maps ; 23 cm
9789629963736, 9789629964481, 9629963736, 9629964481
468435152
From grand balls to jazz cabarets: Westerners and jazz-age culture in Shanghai, 1919-1926
Turning lazy old opium smokers in spry jazz maniacs: the rise of Chinese dance madness and the first Chinese cabarets, 1927-1931
Towers and palaces: ballroom architecture and interior design, 1919-1936
Important attractions: cabaret hostesses and the popularization of cabaret culture in Chinese society, 1932-1937
Improper amusement: Chinese patrons, Chinese nationalist politics, and cabaret culture, 1932-1937
Ballrooms and bombs: cabarets, underground intrigue, and occupation politics, 1937-1941
Regulations and interventions: cabarets under Japanese and nationalist occupation, 1942-1947
Resist to the end!: the nationalist government's ban on cabarets and the dancers' uprising of 1948
Building a new society: the demise of cabarets under the CCP, 1949-1954
נושא ישן: Popular music - China - Shanghai - Cabaret - 20th century
נושא ישן: music and politics