Japanese and Hong Kong film industries : understanding the origins of East Asian film networks
Focuses on the cooperation between Hong Kong and Japanese cinema from the Sino-Japanese War, which broke out in the 1930s, up until the early 1970s, to re-evaluate the significance of this event in the context of Asian film history.
History
1 online resource (xxiii, 258 pages) : illustrations
9780415498081, 9780203874271, 9781135219475, 9781135219420, 9781135219468, 9780415666244, 0415498082, 0203874277, 1135219478, 1135219427, 113521946X, 0415666244
654780686
Hong Kong and Japanese cinemas before and during wartime. Connections before the war
Exhibition of Japanese movies in Hong Kong
Ideas of importing Japanese technologies and the relevant activities
Significance of Hong Kong as an anti-Japanese foundation
KMT's prohibition against Cantonese filmmaking
Anti-Japanese activities of Shanghai filmmakers in Hong Kong
Hong Kong cinema under Japanese occupation
Japanese army's view on Hong Kong cinema
Japanese movies produced in Hong Kong during the occupation
Exile of Chinese artists and its significance
Connection between Chinese and Japanese cinemas initiated by Zhonghua dianying. Story of Zhonghua dianying from 1939 to 1945
Controversy over Zhonghua dianying
Disagreements between Japanese army and filmmakers
Different views towards the export of Japanese movies
Designs and actions of Kawakita Nagamasa
Characteristics of Shanghai cinema
Experiences Shanghai intellects gained from Japanese movies
Significance of Xin Yingtan
Exhibition of Japanese movies in the old concessions
Japanese views on Shanghai movies
Inferior technology
Animation and horror
Significance of wartime co-productions
Succession of movies of mainland China
From eternity to remorse in Shanghai
Immediate causes of Hong Kong-Japan collaboration. Hong Kong cinema under the division between left and right
Confrontation between leftists and rightists in post-war Hong Kong cinema
Ideas and actions of Zhang Shankun